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Paolo Uccello was born as Paolo di Dono and was given the name Uccello as a nickname meaning ?he bird?because of his love for drawing birds and animals on frieze. He was the son of Dono di Paolo, who was a barber and surgeon and Antonia di Giovanni del Beccuto. He came from a poor family but money never matters to Uccello, his art did. He was a member of the official painters guild, Arte dei Medici e degli Speziali. He was a perspective and slightly Gothic artist born in the year 17 in Pratovecchio, which is by Florence, Italy. He was first an apprentice to Donatello at Ghiberti? workshop and helped him decorate the paradise doors of the Florence Baptistery.
He began working as an artist around the year 145 in St. Mark? Basilica in Venice, making mosaics. The frescoes the Cloister Verde of in the Santa Maria Novella in Florence were his next great works of art. One of the frescoes, ?cenes from the Creation? he used perspective to fill in any space available; there are also hints of Gothic style which shows he followed Ghiberti.
Around 14 to 1440, the two versions of ?t. George and the Dragon were created. Both versions are very much like a fairy-tale. In this painting the figures are wooden like. In the first version the colors used are brighter while the second version displays colors with depth, and contrast between light and dark more than in the first version. Both place the figures on the foreground. In the first version the dragon charges at the saint while the princess prays. The landscape in the first version is of cultivated fields and city walls with the relatives of the princess in the background, but in the second version the landscape is of a dark and dreary forest of London St. George. In the second version, slight movement can be seen in the sky; the clouds seem to be moving east leading toward the whirl wing. One of the two paintings is at Muse?Jacquemart- Andr? in Paris, France. The other can be found at National Gallery in London.
In circa 140, Uccello? first great achievement was the ?questrian Portrait of John Hawkwood. He returned to Florence and created the it in Santa Maria del Fiore. The ?questrian Portrait of John Hawkwood?is also known as ?onument to Giovanni Acuto?which was the name Italians called him by. In this fresco the pose of the horse is similar to the poses of St. Mark?. Uccello cared more for the geometrical shapes in this painting rather than the natural shapes and effects. Just like in many of his other frescos and painting, some perspective drawing is shown. The pedestal on which the horse stands on is a great example from this fresco. Today the ?questrian Portrait of John Hawkwood?can be found at Santa Maria del Fiore in Florence Italy.
His most famous work, the three paints of the ?attle of San Romano? was also done during this time frame. The three paintings are based on a small fight, which occurred in 14 between the hired mercenaries of Siena and the hired mercenaries of Florence. In the end the Florentines won, but not because of military skills but by accident. About twenty years later Cosimo de Medici commissioned Uccello to paint the three paintings of the ?attle of San Romano? Niccol?da Tolentino, the Florentine leader, is placed in the center of the left panel of the ?attle of San Romano? A young page is seen behind Tolentino carrying a helmet. Everything on each panel was made to go into its vanishing point. It is clearly visible on the left panel with the weapons on the floor. The men and the horses in this painting all seem to be puppet or toy like. Uccello purposely did so to make the figures look as if they were carved rather than painted. The three paintings of the ?attle of San Romano?show the change of medieval art to renaissance art. For example the knights with their lances reminds many people of the Middle Ages, but the perspective represented in this painting shows modernism in the Renaissance. Today the right panel is located in the National Gallery in London, the middle panel is located in the Galleria delgi Uffizi in Florence Italy and the left panel is located in Louvre in Paris, France.
Before passing on, Uccello created many other masterpieces such as ?he Deluge? ?he Hunt in the Forest? ?he Fathers of Perspective?and many more. ?he Fathers of Perspective?show portraits of Giotto, Uccello, Donatello, Manetti, and Brunelleschi. In 146, Uccello returned to Florence ?ore poor than famous?and six years later he passed away leaving the world with beautiful frescos and paintings and as one of the fathers of perspective drawing.
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