Characters of Baile Beag

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The play’s most important scene takes place immediately after the interval. Yolland and Maire share an intimate moment having fled laughing from a dance. They express their love for one another without understanding the words either is speaking. It is a brilliantly written bit of literary theatre which blends theme and characterisation perfectly. It is also the clearest illustration of the clever gambit of having the entire play performed through English while expressing linguistic and cognitive distance between characters who are supposed to be speaking Irish (and Latin and Greek), and those who speak only the language linked by verbal association to the Imperial centre (the King’s English).

The scene also expresses a longing for understanding on more than just the obvious level. Throughout the first half we have seen tentative relationships develop despite the distances between characters. Following this scene, the play becomes darker, reflecting the historical reality of the events which followed (and of which the play was speaking metaphorically in the present) in which resolution becomes impossible. This moment is the pivot on which the drama turns, and it is beautifully constructed.

The play’s most important scene takes place immediately after the interval. Yolland and Maire share an intimate moment having fled laughing from a dance. They express their love for one another without understanding the words either is speaking. It is a brilliantly written bit of literary theatre which blends theme and characterisation perfectly. It is also the clearest illustration of the clever gambit of having the entire play performed through English while expressing linguistic and cognitive distance between characters who are supposed to be speaking Irish (and Latin and Greek), and those who speak only the language linked by verbal association to the Imperial centre (the King’s English).

The scene also expresses a longing for understanding on more than just the obvious level. Throughout the first half we have seen tentative relationships develop despite the distances between characters. Following this scene, the play becomes darker, reflecting the historical reality of the events which followed (and of which the play was speaking metaphorically in the present) in which resolution becomes impossible. This moment is the pivot on which the drama turns, and it is beautifully constructed.




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